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Modern Nomads Journal

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I love artists. I love when people living abroad use their authentic talents to delve into their host cultures and I love when they do it in collaboration with local artists who can teach the foreigner, provide insight, and give broader perspectives, like how does this event fit into the historical realities of this location…

That’s why I love this project: Modern Nomads Journal. It doesn’t hurt that it is beautiful and expertly crafted. It also doesn’t hurt that writers I’ve worked with at EthnoTraveler, like Abdi Latif Dahir, are featured in interviews or that a female Somali playwright tells her story and her dream inside the pages of this 88-page journal.

Last week they launched a kickstarter campaign to fund the first printing of the journal, to which I happily contributed. This week they are busy launching their Somali-language magazine Dhugasho and I am happily promoting the English-language journal to Djibouti Jones readers. Head over to their kickstarter page, donate if you feel so inclined, and look forward to getting a copy of this lovely journal in your mail box (actual mail box).

Journal Introduction

There are few nomadic societies that have been catapulted into the 21st century as dramatically as the Somali. 20 years of war have scattered hundreds of thousands of Somalis all over the world. People who were born in little desert villages and grew up herding camels are now young professionals in London, Toronto, or Minneapolis. And as their large families often live in a dozen different countries, many Somalis live uniquely international lives as modern nomads.

But while most of those who have left their country as refugees keep up their connections with home, and try to preserve their rich cultural heritage and history, a new generation of diaspora Somalis is growing up that has never seen the Horn of Africa. Raised in Western or Middle Eastern cities and surrounded by American, European, or Arab friends, they are more interested in pop culture than camel culture, and often barely speak their mother-tongue or know their place in the clan system.

As new catastrophes force new refugees into the West, and old diaspora members return to their home country, the clash of cultures within Somali society is being fought wherever Somalis live. Whether a family in the Netherlands, trying to teach their children the old traditions and values, or a family in Mogadishu, struggling with an influx of “Westerners”, every Somali is confronted with cultural change, and everybody has to ask themselves what it really means to be Somali.

We want to capture a cultural heritage that is in the process of being lost forever, and help the Somali people to remember and treasure their past. At the same time, we are hoping to document the amazing changes that are happening within Somali culture, and to catch a glimpse of the new rich and diverse society that is emerging out of the ashes of a long civil war.

Follow Modern Nomads Journal on Instagram and be sure to check out their Kickstarter campaign, less then three weeks to go!

And a personal side note, Djiboutian artists (story-tellers, photographers, poets, writers, painters…) I would love to connect with you and to hear how you are sharing your story and art with the world…please leave a comment or contact me.

Don’t forget to sign up for Stories from the Horn, Djibouti Jones’s monthly newsletter coming to your inbox on April 1

The Heritage of Our Stories, SheLoves

Last Friday I posted at SheLoves and didn’t get the chance to share it with you. If you haven’t already ready the piece, here you go: The Heritage of Our Stories, on why generational stories matter and what Joan Didion might have meant when she said:

We tell stories in order to live.

In an age when stories and lives can be reduced to Facebook updates, 140-character sound bytes, and even 800-word blog posts, I believe it is even more important to share the in-depth stories of my heritage with my children. To remind them, and me, of those who went before us and have been part of shaping us, though they had no social media accounts to ‘validate’ their existence.

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These people (even if they can’t smile for a photograph) bear the stories that connect these people:

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If you know about Lake Sixteen or if you have stories your family tells over and over, louder and louder, less and less *ahem* accurately each time, you will find your own experience in this piece.

Go here to read The Heritage of Our Stories.

By |September 9th, 2013|Categories: Uncategorized|Tags: , , |0 Comments
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